LP (180 Gram)
Original Artwork by Bart de Paepe & Louise Landes Levi
Booklet by Louise Landes Levi
Numbered edition of 25 ex.
Date of Publication: 1 March 2023

Louise Landes Levi: voice, sarangi, flute
Sien Sonck: bowl
Jan D’hooghe: percussion, synth
Bart de Paepe: organ, guitar, synth, percussion

The text on Kerouac is marvelous. I feel like you approach him as a poet, and very few people understand or appreciate that side of him. Because to understand Kerouac as a poet, you have to let go of every conception you have about poetry. He represents the ‘original mind’ of the poem—its natural state.” (R. Foye)

Nada (excerpt)
Moonshine (excerpt)

Artwork Description: brown gatefold cover with photographs by Louise Landes Levi from her covid induced stay in Kyoto, Japan, 2020-2022. Handwritten text and adorned with dried ginkgo leaves by Bart de Paepe. All text on the inside of the gatefold cover is extracted from Kerouac’s “Mexican City Blues”.
Booklet with text by Louise Landes Levi as presented in spoken word and song, at Jack Kerouac 100 event, Ruigoord (Netherlands) 9-10-2022. Booklet design Bart de Paepe.

Front: photo and dried ginkgo leaves.
Inside: two b/w photos and handwritten text (each nr. has the same photos and text, but individually handwritten).
Back: text and photograph.



Original Artwork by Raymond Dijkstra / Louise Landes Levi
Numbered edition of 25 ex.

Photo LLL by Raymond Dijkstra. Credits should be given to Raymond Dijkstra when this photo is published elsewhere. This is copyrighted material.
Photo RD by Jolande des Bouvrie.

Henri Michaux (Namur 1899 – Paris 1984)
The French writer, painter and graphic artist Henri Michaux was born in the Belgian town of Namur in 1899 and spent his childhood in Brussels. He wanted to become a priest, but followed his father’s wish and began to study medicine in 1919, but soon abandoned this plan and signed on as a seaman.
After reading works by Lautréamont he began writing in 1922. His acquaintance with Paul Klee, Max Ernst and Giorgio de Chirico, whom he met in Paris in 1925, inspired him to first painting and drawing attempts. Between 1927 and 1937 he travelled through South America and Asia. Afterwards Michaux sketched and painted his Phantomisms.
He had his first exhibitions in Parisian galleries, followed by important shows abroad. In the mid 1950s Michaux began experimenting with hallucinatory drugs, particularly with mescaline, letting his experiences inspire his writing, painting and drawing. These works were first exhibited in 1956 at the Galerie La Hune in Paris. Then there was a large exhibition at the Palais des Beaux-Arts in Brussels in December 1957 and a retrospective exhibition organised by Daniel Cordier in Frankfurt/Main in March 1959.
His ink drawings evoke scriptural elements and calligraphic symbols which are a seismographic reflection of the artist’s inner emotions. The two systems of word-language and sign-language pervade each other. Henri Michaux’s impressive oeuvre attracted much international recognition. He exhibited works at the “documenta” in Kassel in 1959 and 1964; he was awarded the Einaudi-Prize at the Biennale in Venice in 1960.
Henri Michaux’s paintings always remained figurative, in-spite of all tendency towards abstraction. The artist’s intention was not to flee from the world, but to expand the world by changing the awareness. The real world was to be enhanced by additional levels of perception.
Henri Michaux died in Paris in 1984 at the age of 85.

Louise Landes Levi is a poet/performer-translator/traveler and a founding member of Daniel Moore’s Floating Lotus Magic Opera Company, America’s first fusion orchestra.

Raymond Dijkstra is an artist active since 1987 in music, sculpture, painting, photography, collage and drawing.

Spoken Word and Music by Raymond Dijkstra (Mellotron, Organ, Gong, Oscillator, Percussion, Mixage, Effects) and Louise Landes Levi (Voice, Sarangi), Somewhere in 2019, Somewhere. Text: Henri Michaux.

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Raymond Dijkstra & Louise Landes Levi ~ In The Face Of Faceless Eye

Artwork Description: Photo-collages by Raymond Dijkstra

Text by Henri Michaux

AN INTRODUCTION “La Terre n’est pas ronde, pas encore. Non, il faut la faire ronde” “The world is not yet round, No, not yet ,we must make it round.”

“Dans quelques cents ans, J’ai confiance, le monde sera large Enfin on communiquera avec lec animaux, on leur parlera.” In a hundred years, or so, I am sure, the world will be large. Finally, one will communicate with animals,
one will speak to them:
Épreuves. Exorcisme.

“Je lis surtoute ces textes archaiques,de peuple étrangères ou la poesie n’est pas mise a part, elle vient a l’improvise,
on ne sait comment.”
I read , above all, those archaic texts of foreign peoples
for whom poetry is not something isolated,
it comes spontaneously,
one doesn’t know how.

THE LETTER I am writing to you from a country that was formerly light. I write to you from a country of cloak and shadow. For years we live, we live in the tower of a flag broken by wind. Oh! Summer! Poisoned summer! And ever since it is always the same day, the day of encrusted memory.
The ensnared fish thinks as much as he can of water. As much as he can, isn’t it natural? At the top of a mountain slope one receives a pike-blow. It is then that a whole life changes. One instant breaks down the door to the temple.
We consult each other. We no longer know. Neither one nor the other knows anymore. That one is confused. All are distraught. Calm is no more. Wisdom does not outlast inspiration. Tell me, who having received three arrows in the cheek will present himself in a flippant way?
Death takes some. Prison, exile, famine, misery take the others. Great swords of cold crossed us, then the abject and the sly crossed us.
Who, on our soil, still receives the kiss of joy in the depth of his heart?
The union of myself and wine is a poem. The union of myself and a woman is a poem. The union of the sky and the earth is a poem. But the poem which we have heard has paralyzed our minds…
Our song in the great suffering could not be sung. Art has the mark of arrested jade. The clouds pass, clouds with the contours of rocks, clouds with the contours of sins, and we, like the clouds, we pass, padded with the vain powers of grief.
One no longer likes the day. It shrieks. One no longer likes the night, haunted with worry. A thousand voices in order to deceive. No voice on which to lean. Our skin is tired of our pale face.
The event is great. Night is also great, but what can it do? A thousand stars do not light a single bed. Those who knew no longer know. They leap with the train, the roll with the wheel.
“To live in one’s own skin”. Don’t even think of it. The solitary house does not exist on the island of Parrots. In the fall, the villainess revealed herself. Pure is not pure. It shows its abstinence, its spite. Some manifest in squeaks. Others manifest in escape. Dignity does not manifest.
Ardor in secret, farewell to truth. The silence of the pavement, the cry of the stabbed,
the harmony of frozen repose and feelings which burn was our harmony. The path of the perplexed dog, our path.
We have not recognized ourselves in the silence, we have not recognized ourselves in the screams, nor in our caves nor in the gestures of strangers. All around us the country is indifferent and the sky without purpose.

We have seen ourselves in the mirror of death. We have seen ourselves in the mirror of the outraged seal, of flowing blood, of decapitated rapture, in the charred mirror of insult.

We have returned to the gloucous streams.


Louise Landes Levi and Henri Michaux were personal friends during the life of Michaux. LLL has translated his work into English with the personal appreciation of Michaux. The texts used on this LP are from these translations.


Original Artwork by Lauren O’Connor
Numbered edition of 25 ex.

Musicworks by Bombay Lunatic Asylum

Bombay Lunatic Asylum:
Louise Landes Levi: Sarangi, Voice
Koen Vandenhoudt: Sarangi, Shruti Box
Bart de Paepe: Indian Harmonium

Louise Landes Levi is a poet/performer-translator/traveler and a founding member of Daniel Moore’s Floating Lotus Magic Opera Company, America’s first fusion orchestra.

Bart de Paepe De Paepe has released several solo albums of psychedelic soggy murkiness on Vohu Manah, Beyond Beyond Is Beyond and No Basement Is Deep Enough exploring the shifting relations between reality and perception. He plays in several bands such as Innercity (with Hans Dens), Ilta Hämärä (with Timo van Luijk), Wendingen 1918 (with Raymond Dijkstra), Bombay Lunatic Asylum (with Koen Vandenhoudt and Louise Landes Levi), Fort Bedmar (with Dave Colohan), Fuji (with Mik Quantius and Junzo Suzuki) etc.
For over 10 years, Bart De Paepe has sated the appetites of psychedelic searchers with his label Sloow Tapes. A peerless curator, De Paepe has unleashed crucial underground transmissions ranging from paint-peeling Japanese rock over bedroom poetry readings to laid-back cosmic Euro-prog in microscopic editions.
Bart de Paepe

Koen Vandenhoudt Antwerp based artist Koen Vandenhoudt works solo under the Shifter or Scene Shifter moniker, was part of the extremely short lived trio Laser Quest with Ignatz and Laurent Cartuyvels (R.O.T) and co-founded Bombay Lunatic Asylum with Bart De Paepe and Louise Landes Levi in 2017. He composed music for choreographer Stijn Celis (Wölfli Doodle Diary 1998, Paradise Practice 2003, Stations, 2004), worked on recordings (live and studio) and productions with artists like Mette Rasmussen, Dennis Tyfus, Chie Mukai, Masayoshi Urabe, Chris Corsano, Ken Vandermark, Nate Wooley, Dave Rempis, Peter Brötzmann, Fred Van Hove, jamie branch, Archie Shepp, Margarida Garcia, Pak Yan Lau, Manuel Mota, Marcia Bassett, Samara Lubelski, Bill Nace … Together with partner Christel Kumpen he runs the not for profit organisation Sound in Motion, the Dropa Disc record label, the Oorstof concert series, the Visitations residency project and the yearly Summer Bummer festival for adventurous music.
Drop a Disc

Lauren O’Connor (Information Follows)

Dream Girl (Poster insert), Artwork by Lauren O’Connor
Poetry by Louise Landes Levi

Produced by Raymond Dijkstra

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Side A  
Side B  
Bombay Lunatic Asylum

Artwork Description: Original Artwork. Indian Ink and stamped Forms in red Ink on transparent Ricepaper by Lauren O’Connor

02/25 SOLD
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Original Artwork by Louise Landes Levi
Signed by Louise Landes Levi
Numbered edition of 25 ex.


Side A Poetry Reading & Music by Louise Landes Levi  
Side B Poetry Reading & Music by Louise Landes Levi  

Poetry Reading by Louise Landes Levi
Gong, Flute, Chanting by Louise Landes Levi
Recording, Editing & Production by Raymond Dijkstra

Recorded at bhaavitaaH bhuutasthaH Studio Amsterdam

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Artwork Description: Calligraphy on Cardboard wrapped in Indian Ricepaper and natural cord.