RAYASTRE ~ PARA BRAHMA

LP (180 Gram)
Original Artwork by Rayastre
Numbered & signed edition of 5 ex.
d’or071
Date of Publication:

Para Brahma the formless, the imageless, the soundless. I was dissolved into nothingness. My first awareness of self was that I was moving forward fast, being a small particle in a rushing all pervading energy, where each moment lasted an eternity…





Artwork description: Red velvet hardcover box with collage of dried leaves, iron ornaments and debossed gold stamp.

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RAYASTRE ~ BRUIT DE TRIOLET…

Installation by Rayastre
Rayastre ~ Para Brahma
LP AND ARTWORK IN BOX
PUBLICATION OCTOBER 6
(Photo of Installation by Rayastre)

LP (180 Gram)
Original Artwork by Rayastre
Numbered & signed edition of 25 ex.
d’or061

  1. Claquement Bruit…
  2. Rhytme Sinusale…
  3. Extrasystole Sporadique…
  4. Bruit du Cœur…
  5. Éclat Variable…
  6. L’écume du Ciel…
  7. Dédoublement du deuxième bruit……
  8. Gallop Presystolique…
  9. Bruit de Triolet…
  10. Claquement d’ouverture Mitrale…
  11. Le souffle Systolique…
  12. Le souffle Discret…
  13. Souffle Proto Systolique…
  14. Le Souffle du Rêve…
  15. Souffle Gastolique…
  16. le souffle continue de la persistance du canal artériel rappelle de la locomotive…

All Music by Rayastre…
All Music made with Voice and Tape Manipulation Only.

The Music celebrates the different Forms and Deviations of Heart Murmur. Cardiac Auscultation in full Exclamation…” (Rayastre)

Rayastre ~ Claquement Bruit…
Rayastre ~ Rhytme Sinusale…
Rayastre ~ Extrasystole Sporadique…

Listen to full album here: https://astresdor.bandcamp.com/album/rayastre-para-brahma

Artwork Description
The following collages were made by Rayastre during the course of several years. The original collages are transparent collages on lightboxes. All etchings are direct transfers from original 19th century books. The transfer procédé is a unique technique developed by Rayastre and involves careful washing with water and transfer to adhesive tape. There is no computer or copymachine used in this process, but is fully done by hand.
These 5 prints are blow ups (30-30 cm) of the originals (10-10 cm) on a transparent plastic sheet. A unique series of 5 prints of five collages in first (and last) edition. Signed by the artist.
Hardcover box with black linen and wooden dowel.

Rayastre Website

Series 1. Edition of 5 Original Prints
Series 2. Edition of 5 Original Prints
Series 3. Edition of 5 Original Prints
Series 4. Edition of 5 Original Prints
Series 5. Edition of 5 Original Prints
Series 2 on hardcover box
Innercover
Innercover with 4 prints
Series 2 print on transparent plastic sheet
Series 2, transparent sheet

RAYASTRE ~ SHAMBHAVI MUDRA MALDOROR

LP (180 Gram)
Original Artwork by Rayastre
Numbered edition of 25 ex.
Signed by the Artist
d’or059

“All my work is closely related / connected to my journey into myself… It’s highly autobiographical in that sense, albeit in an abstract form. The music is a direct 1:1 result of the journey, not a depiction / reflection of the journey… The truth shines through a real experience, when the truth is touched. Although the materialisation of this psychic pathway, the music, is abstract, something of the initial experience will shine through…

The music for Shambhavi Mudra Maldoror is a direct result of my daily meditational practices. It is the meditation which was the centre. Not the music…
It carries at the same time all my experience as a human being and in particular a few life altering events. When one has touched the essence of being and has experienced how it is when there’s no self or even awareness… When one has experienced, yet has no memory of it because there was no Self… When one comes back slowly into the Self and finds oneself being just a tiny molecule in a wild cosmic stream of energy… The full immersion in the Para Brahma evaporates all boundaries between the Self and the Universe through it’s pure essence of bliss…” (Rayastre)

RAYASTRE ~ SHAMBHAVI MUDRA MALDOROR

Para Brahma I (20:25)
Para Brahma II (20:56)

All music Rayastre


Dedicated to Floris Sirag (* 5-4-1956 – † 25-9-2020) & Nynke Wesselius (* 9-9-1961 – † 18-10-2020)

OM RHAM HIRANYAGARBHAYA NAMAHA (Salute to the golden cosmic egg…)

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Listen here to Rayastre ~ Shambhavi Mudra Maldoror, Para Brahma I (excerpt)


Listen here to Shambhavi Mudra Maldoror, Para Brahma II (excerpt)

____________________________________________________________

Artwork description:
Hardcover box with prints, LP and a nature’s memory…

  • Red velvet box (size 33-33 cm)
    -Front of box: print of photocollage “Vajrabhairava (path to samadhi) I”, golden ribbon with bell, red cotton flowers, golden tassel (size 30-30 cm)
    – Inside of front box: print of collage “Vajrabhairava (path to samadhi) II” (size 30-30 cm)
    – Inside of backside box: print of collage “Para Brahma III” (size 20-20 cm)
  • Content of box:
    – print of collage “Para Brahma I” (size 30-30 cm)(300 grams paper)
    – print of photocollage “Para Brahma II” (size 30-30 cm)(300 grams paper)
    – a nature’s memory (dried leaves and flowers as found and preserved by the artist)
    – LP handcut by the artist. Hand etchings on vinyl.

All artwork by Rayastre

2/25 front “Vajrabhairava (path to samadhi) I”
2/25 front “Vajrabhairava (path to samadhi) I”
2/25 front “Vajrabhairava (path to samadhi) I”
2/25 front “Vajrabhairava (path to samadhi) I”
2/25 front “Vajrabhairava (path to samadhi) I”
2/25 inside front (“Vajrabhairava (path to samadhi) II”) and backside first page
2/25 inside front (“Vajrabhairava (path to samadhi) II”) and backside first page
2/25 first page (“Para Brahma I”) and a nature’s memory
2/25 first page (“Para Brahma I”) and a nature’s memory
2/25 a nature’s memory and second page (“Para Brahma II”)
2/25 second page (“Para Brahma II”) and inside backside (“Para Brahma III”)
2/25 inside backside (“Para Brahma III”)
2/25 second page (“Para Brahma II”)
2/25 backside second page. Handwritten text, signature, place, date
2/25 a nature’s memory
2/25 first page (“Para Brahma I”)
2/25 inside front (“Vajrabhairava (path to samadhi) II”)
2/25 backside
Vajrabhairava (path to samadhi) I
Vajrabhairava (path to samadhi) II
Para Brahma I
Para Brahma II
Para Brahma III
SOLD
Payment Options: Paypal or Creditcard
SOLD
Payment Options: Paypal or Creditcard

Distortion as a Self Reflection

I like to stand up for Degeneration…

Recording of Music should not merely be a dry Registration of an Event. It’s Qualities (like Color or Imperfections) should reflect the Music and it should give the right Atmosphere for the Mind to thrive in.

I always find that Distortion is a genuine Part of my Music… I’ve never been a Supporter of clean Music. Even the cleanliest Music often benefits from a slight Amount of Distortion, wether it being Hiss or just because of primitive Equipment. Minimal Music with Distortion always sounds better than the Same recorded super clean. An old Recording of an Opera has a certain Charm over it which is never possible to attain with perfect recording Techniques.
In the second Half of the 80’s there was an interesting Shift in Music. Psychedelic Bands suddenly started to do Albums which were recorded in the Studio with perfect Sound. Away with the Distortion and Imperfections went the Filth and Psychedelia in the Music. You can even feel how the clean Sound affects the Musicians who’s playing became more controlled. Those Bands which sounded weird, degenerated and dirty sounded like a caged impotent Beast on their Studio Albums.
For me, Distortions in all it’s minute Forms, wether it being Feedback, overloaded Sounds, Overmodulation, Hiss, bad Microphones, Deterioration of Tape, cracking Volume Faders, Disbalances of any Kind, failing Equipment, false Instruments etc, etc. are like the Flaws in the Psyche, translated to Sound. Like the overloaded high pitched Feedback you hear in your inner Ear when your Brain is overstimulated. The Swirling in your Head, of Sounds going in endless spiraling Circles, or Sounds spiraling into Oblivion, it is never a clean organized Sound. The Brain subconsciously is aware of all the Dirt Particles and other Imperfections in both Sound, Image, Touch and any other sensory Experiences. Sound and Image are distorted. Smell and Touch are as well. Everything is out of Position to a certain Degree. And Nothing is clean.
My Music should be a Reflection of my Innerworld. Since it’s not clean… my Music is not clean…
It’s like becoming in a State wherein it’s no longer clear if I started the Sound or if I’m being lead by it. Creativity, Confusion, Chaos… In this State I’m seldomly capable of giving the right Amount of Attention to my Recordings which would otherwise lead to more perfect Recordings. So yes, the Recordings are bad and full with technical Failures, but more than that, it’s a Reflection of the State of my Psyche at that specific Point in Time… The bad Recordings and imperfect Recording Surroundings (the Studio, recording Space etc.) therefor become not only a Reflection of my State while playing, it also interacts with me whíle playing… The Hiss, Feedback and Distortion, it subconsciously inspires me, stimulates me.
A sudden Burst of overmodulated Sound in my Plate Reverb can throw me in a mental Deep. Feedback may take me with it in a Spiraling Course. The constant Hiss already lays down a nice Carpet of Disfunction…
A Misstep, a Fall, a Mistake, a faulty Judgement, a Projection of the Self, a Cup which slides out of your Hands scattering on the Floor, a Crack in the Wall of your Livingroom, waking up screaming from a bad Dream, bad Memories, a Misunderstanding, a faded Color, being attacked by vicious Dogs on the Street, an Error in your Head, Discomfort, a Man talking on an imaginary Televisionscreen on your Bedroom Wall, looking at Yourself from two Meters above your body while sitting in Schoolclass, a distorted Image from the Past in an otherwise normal Environment in a small Town somewhere in the North of the Netherlands, your House burning, a Car Crash. The Colors of Reality would simply vanish when trying to hold on to Something which is destined to go…
Failures in Sound are for me a Reflection of Failures in the Mind. People always tend to strive for Perfection and Cleanliness… That’s why Plastic was invented. The Dirt in Sound is for me like the Yellowing of the Colors in 15th Century Paintings of Dutch Masters. And German Expressionist Painting would never have the same Impact when there would not have been a certain Degree of Disfunction. Even the Ruins of Persepolis look better than they would have ever in their full original Glory…

(Rayastre)